Casting Networks – A Quick Start Guide & FAQs for TV and Theatrical Actors

As many of you know, Casting Networks recently partnered with 20th Century Fox TV and Theatrical to be their exclusive software platform for the casting process.  We have been working as quickly as we can to make the transition as efficient as possible for everyone involved. The onboarding process has been a big undertaking, and we really appreciate your patience through this time.

Important Note

We are aware of the TV and Theatrical actor community’s concerns about having to join and pay for yet another service.  While much of the information that has been circulated is inaccurate, we are working as quickly as possible to make Casting Networks’ free offering for repped actors much more robust.  Effective immediately, we will:

  • Offer an additional free photo for new profiles (2 total)
  • Offer free media hosting to upload video reels and clips during this transition
  • If you have an existing casting networks profile, we are able to copy your resume, media and photos to any new profile, free of charge if it is on the same platform

In the first half of 2018, we will introduce a permanent new free offering that will be the best free offering on the market. This is our promise to you.   read more

The Competitive Edge: The One Question You Shouldn’t Be Asking Is “What Do They Want?”

The Competitive Edge: The One Question You Shouldn’t Be Asking Is “What Do They Want?”

Don’t Look For A Cookie Cutter To Shape Your Audition.

The other day I was in the reception area of a project I was casting and one of the actors asked me “what are they looking for”? I cringed inside and answered, they are looking for an actor to bring them “something”.

The one thing you should not be trying to figure out when you are preparing copy both commercially and theatrically is what do they want. read more

L.A. Survival Guide: Interview with Patrick James

L.A. Survival Guide: Interview with Patrick James

Patrick James is a triple theatre of a different kind, a producer, content creator and actor best known for playing the acid tongued drag queen and screen siren that is Wilma Bumhurt in the online series sensation The Horizons. Patrick is the kind of dynamic creative that understands that the creation and development of new content is the way forward. Since we first met and became friends many years ago, I have been privileged to watch my friend go from strength to strength creatively, his presence and personality always a source of joy and inspiration in my life and the lives of those around him. Nothing has given me more joy than watching Patricks journey from first being cast as Wilma and his nervous discovery of how to approach playing a drag queen, very unfamiliar territory for Patrick, to now being an activist for the LGBTQI community and an outspoken defender for equality. His role of Wilma has literally taken him all over the world and granted him countless amazing opportunities including the opportunity to present at the Logies and even have his own spin off series, ‘Where’s Wilma?’  read more

Act Smart! Making things stick

Act Smart! Making things stick

In a previous life, I taught people how to use the internet. It was way back in 2008, and people who were new to and/or overwhelmed by this thing called “social media” needed help making friends with it (even more important than making friends on it). It was my job to help them do that.

While I tended to get good feedback on my workshops, I wish I’d known then what I know now: that we learn slowly, and by doing. It took another Stupid Day Job™ to truly teach me how to teach, and to learn how I learn.

You can only learn one thing at a time.  read more

Theatre Review: A Streetcar Named Desire

It isn’t often you walk into a theatre to see a 1948 Pulitzer Prize Winner for Drama by an iconic American playwright, and are greeted with DJ, who happens to be a fabulous chick drinking a beer. It does clue you in that the Theatre @ Boston Court means business when they label their production of A Streetcar Named Desire “reimagined”.  Don’t want a DJ paired with Tennessee Williams? Ok, but it’s your loss. Really.   read more

Commercial Actors Should Never…Forget — HEADSHOTS Are Their Single Most Important Tool

Commercial Actors Should Never…Forget — HEADSHOTS Are Their Single Most Important Tool

Here I go… beating that drum (or dead horse, depending on how over this topic you are) again. My commercial friends: I can’t emphasize enough how important really great commercial headshots are. I think you know this. But I’m not sure you KNOW, KNOW this. I believe more of you would be picking up extra shifts, watching tons of commercials, shopping for wardrobe and making sure you are on the wait list of the best commercial headshot photographers, if you truly took this to heart.

Commercial actors should never forget HEADSHOTS are their single most important tool.

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5 Questions with USA Casting Director Nicki Katz

Nicki Katz, Casting Director.

The art of storytelling is composed of talented, passionate and hardworking show business aficionados. As artists we live out our days admiring the directors, writers and actors who bring our favourite narratives to life. We are all visionaries and the truly gifted understand the importance of collaboration when bringing a creative vision to life.

At the forefront of this collaboration are casting directors; their job is to work with directors, producers and writers to ensure only the best actors are discovered and hired. It goes without saying that a great casting director not only is a champion team player but also holds a remarkable eye for talent.

With a career in the entertainment industry spanning 10 years, Nicki Katz has cast over 75 Award-Winning commercials, feature films, TV series, and short films, which have screened at festivals around the world. Nicki has had feature films premiere at Sundance film festival, including Sophie and The Rising Sun, and has cast box office hits including Annabelle: Creation. Her indie thriller Excess Flesh premiered at SXSW and was distributed through Midnight Releasing. Nicki has also worked on several Emmy Award-Winning television series, including Transparent, Brooklyn Nine-Nine, and Training Day. Her national commercial work recently includes McDonalds, Dominos, Hot Wheels, and Toyota more

Voiceover Is Not About Your Voice Pt 2.

Voiceover Is Not About Your Voice Pt 2.


The bulk of the voiceover business is not cartoons or video games, it’s commercial.  If you want to make a living exclusively with “funny voices” you’re choosing to travel a very difficult road.


Different people have different answers to this question.  The one thing that everyone agrees on though, is that you shouldn’t put a demo together until you’re ready.  And it must be great!  Be prepared to spend some money.  A good demo can cost between $1,100.00-$1,800.00.  DO NOT PUT IT TOGETHER YOURSELF.  Demos are taken at face value and quality matters.  You wouldn’t use a selfie as your headshot, don’t do it with your demo.  

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L.A. Survival Guide: How to Make LA Feel Like Home

“What have you done to make LA feel like home?” – Miranda O’Hare

I remember the first day I landed in LA very clearly, it was mid July and LA summer was in full swing. I had nervously survived the ordeal of going through customs for the first time and having my green card be officially approved. After zero hours of sleep on the plane, having left behind my family, my lovely life in Sydney and my then boyfriend, I was jet-lagged and emotional to say the least.

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The Competitive Edge: Great Audition, No Booking


A really good audition makes the casting director, the producer, and the director really happy. You gave a good audition, you got put on avail . . . and then you didn’t get booked. Why?

I can assure you it is nothing that you did wrong. So if it’s nothing you did wrong, what could it be?

The callback is the time the spot takes shape. Many variables come into play.

Here Are Five Reasons Why You Might Not Get Booked

1. The Spot Has A Certain Look

All variations and combinations of looks are considered. During the callback selection process, as the spot takes shape, your look might not quite fit in. I have seen a group of six people chosen and upon final consideration, the creative team noticed everyone was brunette. One person was randomly taken out of the group and replaced with a person with lighter hair. I remember feeling an “ouch” for the person taken out of the group.

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