The Inaugural Casting Directors Association Awards

AllWinners

This year the CDA held their first ever award ceremony in the UK, and we were there to help celebrate and honour the work of casting directors. Over one hundred key professionals working in the industry attended the ceremony at the Crypt of St Etheldreda’s for a fun, packed night, which was judged by an independent panel of experts. On this year’s panel were Gabe Blair (United Agents Commercials Department), Matt Buels (Managing Partner, Hungryman), Steve Davies (Chief Executive, APA), Paul Gay (TV, Film, and Commercials Director), Ella Sanderson (Senior Producer, Partizan), Jason Solomons (Film Critic), Charley Stadler (Commercials Director), and Mark Waites (Founder & Creative Director, Mother). 

The event was hosted by the incredibly talented and funny Sally Phillips (Smack the Pony, Bridget Jones’ Diary), who presented each award to the winners on the night (see list below).

read more

Theatre Review: Ah, Wilderness!

ah

Ah, Mr. Eugene O’Neill. How is it even possible that you, Mr. Doom & Gloom, wrote Ah, Wilderness!? I’d love the opportunity to sit down and have a drink with Eugene O’Neill and discuss that, amongst many, many other things. If you follow these reviews monthly, you know both my admiration for EO, one of the “best” American playwrights, and that I sat fairly enthusiastically through 3+ hours of Long Day’s Journey Into Night last month at the Geffen. I couldn’t resist the thought of seeing another O’Neill piece the following month at A Noise Within. A completely different kind of piece, which most call a straight-up comedy (though more in the warm/feel good realm vs. the laugh out loud type), in which the main character gets his happy ending. It’s presumed to take place in the same small town as in LDJIN on July 4, 1906.  And . . . that’s where most of the similarities end.

Ah, Wilderness! centers around the delightful middle-class Miller family. Nat Miller (Nicholas Hormann) is a newspaper publisher who, along with his doting wife, Essie (Deborah Strang), has been raising their four fine children, as well as providing a home for Essie’s never-been-married sister, Lily (Kitty Swink), and jovial/alcoholic uncle, Sid (Alan Blumenfeld). Wait, alcoholic Uncle Sid? Mr. O’Neill, maybe you DID write this play. Seventeen-year-old Richard (Matt Gall) is the second child and the central character who, gently mind you, rebels and pushes the boundaries by reading “daring” books, spouting socialist ideas, and quoting risque-ish poetry. As you might have guessed, he’s endearingly naive and harmless. It’s also not a stretch to predict that he happens to have fallen in love with Muriel (Emily Goss), but her grumpy and disapproving father has gotten squarely in the way by restricting his daughter to the house, and forcing her to write a letter to end their relationship. Heartbroken, Richard becomes a little unhinged, getting tangled up one crazy night with booze and fast women, before finding his way again, and returning back to her.

read more

Join us at Actors Pro Expo – NYC 2017

Actors Pro Expo 2017

Casting Networks is heading to the 4th annual Actors Pro Expo event in NYC! A day for professional actors to come along and network with the industry. There will be Seminars, Workshops, 1-on-1 careers advice consultations, an open casting call for feature film ‘Fiver’ and generals with casting director Michael Cassara.

General admission, Seminars and 1-on-1 advice is all FREE! Industry-led workshops will cost $30 each and are available for advance booking online.

read more

Updating Share Selects – UK / EU / AU / MX – March 2017

  • When creating a Share Selects link, Casting Directors can now choose whether the link will be Live or a Snapshot. A Live link will be updated as changes to selects are made. Whereas a Snapshot link will remain unchanged once sent. Casting Directors can also now choose which Priority Numbers to include when Sharing Selects.
  • Once a Share Selects link has been sent out, the history of these emails is now housed in the Email History section of the project. This is accessed from the Overview page of the project and follows the Project and Audition sections of the modal.
  • The Share Selects presentation has also been updated to include the Casting Director’s company logo as well as made the role name more prominent in the top right hand corner of the page.

Rumble Music Promo for ‘Alpha Female’

Sasha-Rainbow_Alpha-Female_News

‘Alpha Female’ is the brand new video from UK band Wild Beasts, produced by APA member Rumble and directed by Sasha Rainbow. We chatted with Sasha to find out where the concept came from and what inspired her to shine a light on the skater girls of Bangalore.


Casting Networks: Where did the inspiration come from for the music video concept?

Sasha Rainbow: For the Wild Beasts music video, I directed I tried to pull apart the song title Alpha Female and think about what it really meant. I wanted to use the video as a platform to celebrate women boldly going against the grain through affirmative, inspiring action, by following their passions; in this case, through skateboarding. The core message for me is ‘big change can start with just one person.’ The Holystoked Skate Crew and the girls that I worked with are an inspiration that cuts through age, gender, and class barriers. I wanted to commemorate this incredible moment in India.

read more

The Results Are In for #MAP48

MAP 48

Last month Manchester Actors Platform saw the return of #MAP48 for its second outing after a very successful 48 hour short film competition last year.

Casting Networks speaks with MAP and the team behind the Best Film winner “Am Dram.”

We would also like to congratulate LouLou Dayeh and Will Huntington, the winners of the Best Actor and Best Actress award, each awarded with a 12 month Premium account with Pro Services.


Casting Networks: Where did the idea for MAP48 come from?

Manchester Actors Platform: MAP48 sort of arrived many years ago as a crazy idea I had in London. Everyone had heard of the ‘24 Hour Plays’ and ‘Play In A Day’ type competitions and events, but there was very little out there for films. When I moved back to Manchester it was clear to see there was a massive film community from indie, grass-roots film makers to established teams. Having done a bit of filming myself and enjoyed the challenges of it, it seemed like a good time to complete the initial planning stages and get the beast up and running. The beauty of it being that, as was proven with thee awards this year, experience isn’t essential. This was key to us in structuring the event. Because some people have access to all the quality gear, we couldn’t let that mean that they were a shoe-in for taking Best Film, so we ensure that the decisions made are not about where the film is in HD! We also want to encourage people to try out new skills—this year, Best Writer and Best Director both went to people who were doing it for the first time!
read more

A Casting Director Interview with Aisha & Anna at McAuley Walters Casting

McAuley Walters Casting

McAuley & Walters

Since it’s International Women’s month (well, we had a day last week!) we were delighted when the female casting duo Aisha Walters and Anna McAuley of McAuley Walters Casting agreed to be interviewed to talk all things castings and “getting seen” as an actor. Both ladies worked for the legendary Shaheen Baig prior, and then went their separate ways. Then in 2016 they set up their new casting director company and the rest is history. Casting Networks got in touch to get the down low on all things UK castings.


Casting Networks: Firstly, Aisha, you came from working with Shaheen Baig for over six years, and Anna you were there for a number of years also. What would you say was the highlight of your time there working as a casting associate/casting director?

Aisha Walters: I’d say it was working with Shaheen. She was very collaborative and taught me so much about casting. Throughout my time there we worked on many wonderful projects, but it was seeing how she worked with the writers, directors and producers, and the different methods she used to find each cast that inspired me to become a casting director.

Anna McAuley: No particular highlight; it was great to get a thorough understanding of the process of casting for screen and the chance to work with some very exciting directors.

read more

Theatre Review: Long Day’s Journey Into Night

LDJIN

Jane Kaczmarek and Alfred Molina in ‘Long Day’s Journey Into Night’ at the Geffen Playhouse

When was this written? Who wrote this? Okay, I admit, I didn’t ask the second question because the sole reason I went to see Long Day’s Journey Into Night was because it was written by Eugene O’Neill, thought to be the greatest American playwright (or certainly one of them) of all time, and this, his greatest play. And it’s on stage, people. Remember reading it in theatre school? Yeah, I don’t either. So this rare opportunity is yours—not only if you reside in the City of Angels, but if you live anywhere in the country; BroadwayHD will be streaming it live on March 11th at 7pm PST/10pm EST, with the broadcast then available on-demand through March 21st—if you have a subscription, of course. And this will the streaming site’s first broadcast from the Geffen Playhouse! But let’s go back to the first question. I did actually wonder to myself when this humdinger of a play was written, for two reasons: it’s really long and it’s really current. Current? Read on . . .

read more

Casting Networks Manchester Q&A with Jane Anderson

All_At_sea

Casting Networks Manchester are very excited to have special quest casting director Jane Anderson join us on Thursday 30 May for our first FREE members event of the year!

Jane AndersonJane Anderson casts for both emerging & established directors. Before forging out on her own in Spring 2010 she had spent 6 years working with, and being guided by, some of the most respected casting directors in the industry including, as an assistant, Di Carling, Rachel Freck, Gary Davy and as a casting associate with Kate Rhodes James.

Her casting has been informed and is inspired by her life experience; growing up in a diverse family in London, a photography degree, 3 years in production in her early 20s, as well as travelling extensively and living in Melbourne for 5 years.

Jane Anderson’s casting ranges from comedy through to gritty dramas. She continually updates her knowledge of established and rising talent in order to maintain her innovative and fresh approach to casting.


Submissions are now open via the Casting Billboard!

As always, we give priority to pro services subscribers. With Premium Accounts actors can upload up to 50 photos, add showreels, and attach unlimited video and audio clips to individual credits or skills. If you aren’t already subscribed to pro services, you may want to consider adding them to your profile as the demand for video footage from casting directors as part of the digital CV increases. Click here to find out more about our pricing structure.

 

Outward Film Network and Their Ethos

ofn

This week Casting Networks caught up with the folk at Outward Film Network (OFN), a Midlands and London based filmmaking organisation that boast support for low and no budget filmmaking. Their remit is to support all those filmmakers who can’t reach the general population because they just don’t have the funds or support. What a great idea. So here we talk with one of the founders, Matthew Simmonds, about what they offer, how they can help actors and filmmakers, and what’s coming up for OFN.


Casting Networks: So can you tell us a little about Outward Film Network and how it came to be?

Outward Film Network: The Outward Film Network was setup to support, produce, and promote films shot on a no/low budget. Heading Outward is Matthew Simmonds, David Woods, and Phil Slatter. We’ve been making movies (short and feature) and writing about film for over fifteen years.

Outward looks to embrace an approach to making film that’s often considered as being amateur or “student” filmmaking. We don’t think it’s beneficial to be catagorised, we can’t afford to compete with indie films (20k + budget), and to be catagorised as amateur creates an even greater disconnect. Influenced by movements such Dogme 95 and mumblecore, we like to discuss and make films that don’t fall into the “indie” or “industry” category.

read more