A few months back, I came quite close to booking a job that I had become very attached to. When I found out that in fact I had not booked the job, instead of my usual ‘ugh that sucks, forget about it three minutes later’ routine, this one stung. I tried to brush it off and continue on but a couple of hours later when I found myself crying into a plate of fries sending dramatic texts in caps to my friends like ‘I CAN’T KEEP DOING THIS,’ I realised I might be a little upset about this one. read more
“I believe very strongly in the quality of an ensemble spirit”
-Damien Ryan, Managing Artistic Director, Sport for Jove.
For many actors home is where the theatre is. Whilst the big bright shimmering lights of Hollywood lure many of us into the world of motion pictures, there is something comforting about the authenticity and artistic freedom of the stage that permits actors of all different merit to tread the boards throughout their careers.
Sport for Jove (SPJ) is one of Australia’s leading independent theatre companies. As a producer I have always admired their hard work and cultural contribution to the independent art scene and, as an actor I have always been in awe of their immense talent and vision.
Managing Artistic Director of SPJ is the multi award winning director Damien Ryan, with a career that spans over 20 years in the industry as an actor and a director; Damien has been the driving force in cementing SPJ.
In the midst of another successful outdoor summer season, Damien shares with us a detailed and insightful look into Sydney’s most compelling independent theatre company. read more
Since I first moved to Sydney to pursue a career in acting, my friends have mostly comprised of actors and people that work in the industry. These relationships have afforded me a few things, namely many people around me to help me with auditions, a network of people that understand the rollercoaster of pursuing a creative career and lastly an insight into the many different ways to achieve success as an actor. The latter is something I have recently been reflecting on a lot, especially as I have found that each and every one of them has achieved their own success in the industry in such vastly different ways.
I’ll admit that when I was first began acting; I assumed success was achieved in one way. First, you get signed to an agency. Then you go to a bunch of auditions, finally you book a job, do the job, you go to another audition, repeat the previous steps.read more
Casting Networks – An Update for Agents and Managers
We have been working as quickly as we can to make the 20th Century Fox TV and Feature transition as efficient as possible for everyone involved. The onboarding process has been a big undertaking, and we really appreciate your patience through this time. Below are some Frequently Asked Questions, for a more detailed help page, please click here
“Casting is a non-stop job. Offices don’t close for lunch, in fact, that’s when you catch up on admin. If you’re not at the theatre, you’re still at work at 8 or 9pm most nights. Despite this, it’s wonderful to be a part of a production at such an early stage that millions of people may see and interesting to see how different a show may have been if a different actor had taken the role.”
Emily Jenkinson has worked as a freelance casting assistant for some of London’s most busiest and dynamic casting offices.
Her first break came from Shaheen Baig (Peaky Blinders, Lady MacBeth, God’s Own Country). “Given that the website features pictures of the casting directors as children, I sent in an application saying “attached is my CV and a picture of myself as a small child.” It must have been memorable enough for them take a chance on me a few months later!”read more
“Basically, the actor’s job is to be the ultimate detective, collect all the pieces of the puzzle and put it together to create a fully formed, nuanced, believable character.” – Jess Loudon
Generosity of spirit is crucial in this industry. Whilst it is important to keep things close to our heart it is equally important to share our passion and combine knowledge and talent amongst our community. In short, what you give, you get back.
Jess Loudon is an abundance of generosity. From the moment she walks into a room you instantly feel the weight of the world fall off your shoulders into oblivion. The first time I met Jess was when I was auditioning her for a role, with a big smile, and a voice showered in enthusiasm she introduced herself and I knew, before she even began her audition monologue, that she simply oozed talent.
Recently, I went to a casting for a feature film here in LA. The usual transpired, it was in the Valley which with traffic (and there is always, always traffic in LA) is an almost hour long drive from my apartment in West Hollywood, sometimes more. It was a balmy 100 degrees (LA is in a constant state of sweltering heat). Despite the usual challenges, I arrive with five minutes to spare, deeply impressed with myself for not being late. I have my script in tow and a mild whole body sweat that I’m trying to pass off as a general glow. I sit in a packed waiting room; the actor sitting next to me me tells me that they’re running an hour behind. Excellent. I wait, I run over my script, I eat a snack in my bag, I stare at my phone, time passes. Eventually after an hour and fifteen minutes, I am called into the casting room. As I walk in, I am surprised by just how many people are in this room, mostly men. Very little is said to me. Someone asks me to slate and to begin the first scene; I barely know where the reader is.read more
“Alexandra Keddie captures the bewilderment of visiting ingenue, Jackie Coryton”
– Herald Sun
I have to admit that I have a secret girl crush on Alexandra Keddie. It all began around the time of the US 2016 election campaign. Whilst the entire free world was fixated on the Clinton|Trump theatrics I furtively imagined a world where the greatest actress to ever exist pulled a rabbit out of a hat (or in this particular case three Oscars) to become the first female President of the United States of America. A world where talent, imagination and fierce brilliance inspired humanity, a world where Meryl Streep reigned, “That’s all.”read more
This month I wanna chat about Trailer Tension!
You’re on a job, a big job that you’ve dreamt of, and worked your butt off to get. You’ve done all your work, your prep, got your hair and make up done, you’re just waiting to get costumed, hanging in your trailer when ‘bang’ all of a sudden, you are completely paralyzed! Doubtful and terrified, wondering how the hell you got there, querying if the director (who up until now you thought was brilliant!) is insane because he cast you and now you’re sourcing the nearest escape route!
WHAT DO I DO??!!! My usual solution of throwing on the trainers, getting my heart pounding and endorphins flowing is not gonna work because I’m wanted on set in 30 minutes and the make up team are not gonna be happy if you sweat off the hour of hard work just because you’re nervous!
“Casting is the biggest job, because once you get down to it, it has to be an equal exchange. Casting has to be about so many things: Do they understand the character’s life? Do they understand the language, the environment, the relationships? Do they understand me when I ask a question or offer a direction? Are they intrigued by my offers or defensive towards them?”
– Faran Martin
During our time speaking with the many talented creatives like you who make up the Casting Networks world the same feedback emerges time and time again: Commitment. Collaboration. Community. Creativity.
From LA casting offices to West End costume departments, we hear praise and passion for artists who are “a joy to work with”, with “humility and kindness”, artists who are motivated, expansive, driven by curiosity and craft.
“I learned very quickly when I started directing that of course I was itching to find out about the characters from the inside, but I had to detach my ego from the process. I had to be as open as I wished the actors to be, and be curious about each person’s process.”
Faran Martin is driven by this commitment to curiosity, exploring cross-contextual play through her stage-work.
“It’s made me more aware as an actor of how exciting it is for a director when an actor is willing to be playful.”