Casting Networks International are very excited to be guest curators in the upcoming programme at the Actors Centre, the UK’s leading organisation which supports actors throughout their careers.
We will be bringing a range of workshops Q&A’s and events to the Actors Centre in their January – March 2017 programme. In addition, Equity and the Actors Centre will also be presenting a series of events and workshops to highlight, explore and celebrate the importance of greater diversity in the arts, as part of the Equity Play Fair season. Most notably they will be hosting a panel discussion on casting and diversity which Casting Networks International are delighted to be a part of.
We will be hosting a number of events in the programme open to Actors Centre members, including an informal question and answer session with casting director Manuel Puro (Moon, Northern Soul), a how to self-tape workshop, plus a commercial casting workshop where actors will receive live feedback.
The programme will be launched at an exclusive Actors Centres members networking evening at the Actors Centre from 6pm on Tuesday 3 January. So if you are a member make sure you come along!
If you are not a member of the Actors Centre and would like to find out more, you can check out their website: www.actorscentre.co.uk
See you there!
The charming and funny casting director Danielle Eskinazi joined us in May to talk about everything from casting decisions to what you should do with your hair to social media to what you should do with your hair to age type to what you should do with your hair, PLUS . . . what you should do with your hair. Seriously, this month’s seminar had question after question about hair, from what ended up being an inexplicably high number of people, the answers to which can’t even be included here, because they were specifically about their hair. Anyway, here are some great takeaways that aren’t about hair!
1. Casting decisions are mysterious and unknowable.
Don’t bother wondering why you do or don’t get cast. Client decisions are mysterious and inscrutable. If you drive home wondering if you should have done this or that, or when you don’t get a callback wonder if it was your outfit or scene partner, or when you don’t book it after being on avail start to wonder if you should change your entire face and body and identity and state and occupation – don’t. Casting sort of lives and dies on people’s gut feelings and are probably a mystery to the decision makers themselves. And you should find that comforting, instead of feeling like you’re basing your whole life on a piece of driftwood that’s sitting in a soggy marsh of instability, the ultimate fate of which is determined by an inscrutable god. Ha ha ha ha – acting is fun!
In March, we had the very charming and knowledgable Karen Ryan of Canvas Casting speak at our seminar. She had some great stuff to tell everyone and you’re welcome to comb through our live tweet of the day by searching the hashtag #cniseminar (where you’ll find all previous seminar tweets too). But Karen has a lovely Irish accent, so tweets are a pretty poor substitute for the real thing. That said, here are five great takeaways from the day.
1. Set Your Commercial Scene
Yes, commercial auditions are short and there isn’t much time to show off your acting chops. But you know what you can do? Set your scene with the subtle actions you would normally do in the situation of the spot. Are you supposed to be an office worker at their desk? Type the way you would actually type, with the expression you’d actually have. I’m doing that now and if I turn my attention on myself, I seem to be weirdly biting my bottom lip and I look perturbed. Why do I look perturbed? I don’t know, but it could have something to do with the fact that Prince died today. More importantly though, those are two things I could use to be a more believable actor in my audition. I had an acting teacher who once advised me to pick one thing in a room and decide that thing is the camera. How does that make you behave and what kinds of normal actions would it catch you doing?
We were thrilled to have crowd favorite Killian McHugh back for another CNI Seminar. (Our bad for letting so much time pass between his visits.) There was so much to glean from his Q&A that I scribbled down way too many notes to include here. Attendees definitely got the benefit of extra info on this one! While it was almost impossible to choose the five biggest takeaways from the event, I tried to select some that you may not have considered before.
Rock Your Vote
Your union vote, that is (although Killian is definitely a fan of exercising your voting rights in any form). We all know that budgets are shrinking. It’s happening across the country in every industry, and actors and casting directors are feeling the effects of it now more than ever. If you’re a member of SAG/AFTRA make sure you’re voting on union contracts because, you know, they affect your wages. Only 28% of members voted on the last commercial contract. That’s cuckoo bananas. If you don’t participate, you don’t get to complain, capisce?read more
By now you’re probably used to Lindsay’s ‘5 Lessons’ from our monthly seminars in Los Angeles, but I wanted to touch on one topic our guest speakers Emma & Marcus Nelson spoke about in January: working for a casting director.
As actors, it is extremely easy to get caught up in the art of your craft. It can be hard, especially in commercial casting, to remember that this is a business. A business designed to make corporate clients a lot of money, not for you to share your inner artistic truth with the world. (Don’t get me wrong, there is definitely a time and a place for you to do that but it probably isn’t in a commercial audition for cold medicine.)read more
Australia’s longest running travelling film festival bringing world cinema to regional Australia.
The Travelling Film Festival (TFF) showcases Australian and international features, documentaries and short films screening in areas which have limited theatrical screening opportunities. The TFF currently tours to 19 locations annually, screening in the Northern Territory, Queensland and New South Wales.read more
Saturday, September 29, 2012
Free Inside The Industry Seminar
Special Guest: Casting Director Shawn Tolleson
10:30am – 12:00pm
Sharon Lieblein, CSA, serves as vice president, casting and talent development, for Cartoon Network Studios. In this newly created role, Lieblein oversees live-action casting for the Studio and serves as the executive liaison between talent and the different divisions within the studio and network. She is responsible for identifying, casting and managing talent appearing on Cartoon Network Studios scripted and alternative live-action projects. She reports directly to Rob Sorcher, chief content officer for Cartoon Network, and is based at Cartoon Network Studios in Burbank, California. Lieblein came to Cartoon Network in May 2011 following a 12-year tenure with Nickelodeon, where she served as vice president of talent and casting since 2005. In this capacity, she oversaw all live-action casting for Nickelodeon Networks, including pilots, TV movies, specials and promos. Among her projects were such signature Nickelodeon shows as iCarly, Big Time Rush, Victorious, Zoey 101 and Drake and Josh and she helped discover such talent as Emma Roberts, Lily Collins, Miranda Cosgrove, Victoria Justice and Drake Bell. She also oversaw animation casting at the network for two years. Prior to joining Nickelodeon, Lieblein worked as a freelance and in-house casting director on various feature and television projects including the Witt-Thomas Productions of The John Larroquette Show (NBC) andPearl (CBS). Lieblein has been a working member of the Casting Society of America (CSA) since 1995 and an active Television Academy member since 1999. Additional affiliations include serving as vice chair of the Advisory Committee for “Looking Ahead,” a division of the Actor’s Fund of America, and treasurer and vice president for the CSA.Sign in begins at 10:00am.
The seminar will begin promptly at 10:30am.
This is a 90-minute seminar.
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