As many of you know, Casting Networks recently partnered with 20th Century Fox TV and Theatrical to be their exclusive software platform for the casting process. We have been working as quickly as we can to make the transition as efficient as possible for everyone involved. The onboarding process has been a big undertaking, and we really appreciate your patience through this time.
We are aware of the TV and Theatrical actor community’s concerns about having to join and pay for yet another service. While much of the information that has been circulated is inaccurate, we are working as quickly as possible to make Casting Networks’ free offering for repped actors much more robust. Effective immediately, we will:
- Offer an additional free photo for new profiles (2 total)
- Offer free media hosting to upload video reels and clips during this transition
- If you have an existing casting networks profile, we are able to copy your resume, media and photos to any new profile, free of charge if it is on the same platform
In the first half of 2018, we will introduce a permanent new free offering that will be the best free offering on the market. This is our promise to you. read more
THE HEART OF THE VO BIZ.
The bulk of the voiceover business is not cartoons or video games, it’s commercial. If you want to make a living exclusively with “funny voices” you’re choosing to travel a very difficult road.
DO I NEED A DEMO?
Different people have different answers to this question. The one thing that everyone agrees on though, is that you shouldn’t put a demo together until you’re ready. And it must be great! Be prepared to spend some money. A good demo can cost between $1,100.00-$1,800.00. DO NOT PUT IT TOGETHER YOURSELF. Demos are taken at face value and quality matters. You wouldn’t use a selfie as your headshot, don’t do it with your demo.
“What have you done to make LA feel like home?” – Miranda O’Hare
I remember the first day I landed in LA very clearly, it was mid July and LA summer was in full swing. I had nervously survived the ordeal of going through customs for the first time and having my green card be officially approved. After zero hours of sleep on the plane, having left behind my family, my lovely life in Sydney and my then boyfriend, I was jet-lagged and emotional to say the least.
A really good audition makes the casting director, the producer, and the director really happy. You gave a good audition, you got put on avail . . . and then you didn’t get booked. Why?
I can assure you it is nothing that you did wrong. So if it’s nothing you did wrong, what could it be?
The callback is the time the spot takes shape. Many variables come into play.
Here Are Five Reasons Why You Might Not Get Booked
1. The Spot Has A Certain Look
All variations and combinations of looks are considered. During the callback selection process, as the spot takes shape, your look might not quite fit in. I have seen a group of six people chosen and upon final consideration, the creative team noticed everyone was brunette. One person was randomly taken out of the group and replaced with a person with lighter hair. I remember feeling an “ouch” for the person taken out of the group.
No matter how confused or disillusioned you may feel, you have the capacity to move towards clarity and happiness at any given moment. But, it’s hard to help yourself when you’re sleepwalking through life. Here are just a few of the symptoms: feeling like life is unfair, blaming others for your difficulties, wishing you had someone else’s life instead of your own, constantly feeling deprived and envious, doing the same old thing and expecting different results.
Commercial actors should never believe they are less than 100% in charge of their own success.
Ok, I just started right out with a lie. I have no doubt you could rattle off a list of things that are out of the control of you, the commercial actor. I can! There are a few things, admittedly, that are out of your hands. It’s likely you find these things frustrating. I hear actors talking a lot about the topic. Too often it’s a focus, in my opinion. Too often it’s an excuse. Yep, I said it.
I recently met my good friend, Bonnie Gillespie, for a long, leisurely lunch and gab. Bonnie is a longtime friend of actors from both a casting and coaching perspective, with a pretty ace track record: just last fall, an actor she’s brought in for years, Kim Estes, took home an Emmy—no small accomplishment, and one any actor would love.
Whether it’s the real deal big screen or a selfie with your trendy bevy…we all want to look fabulous on camera. I swear, even my dog smiles! So what does it take to make the camera blush with our healthy, vibrant beauty? I’m so glad you asked! I’m sharing five of my fave easy tips to implement. After reading number one, take a quickie drink break to sip on while reading the rest! read more
Oh, people. There’s an obscure Pinter play on stage right now at the Antaeus Theatre! What does this mean for you? Well, it depends on who you are. If you would call yourself anything less than a theatre enthusiast, if you don’t proudly wear a theatre geek badge, you can quite simply move on. This show is not for you. If I had you at “obscure Pinter play” keep reading! read more
This month, the spotlight is on the Casting Directors Association (CDA), a not for profit organisation created by casting directors, for casting directors. The CDA supports and encourages equal opportunity employment, and their casting director members actively strive to advocate and promote casting that accurately reflects our global society. read more
The magic of film festivals – everyone is trying to get their work into them. There’s big ones, small ones, prestigious ones, far away ones, and local ones.
As someone who has been running a film festival for three years now, I feel I have the teeniest bit of experience in them, and some understanding about why they are so useful. But I’ve also attended dozens over the years, here in the UK, in Cannes, Australia and beyond. And that’s where the real experience comes from. read more